Wednesday 24 March 2010

Pre Production Talk Through

Alright so I'm going to try and update my blog a little more regularly now, for now though I want to go back and re minis on the pre production project so I don't forget all my ideas and inspirations and the like.

So to start with I want to talk through the Doctor & The Assistant:

The Doctor I wanted to be a shaggy kind of character, scruffy but still relatively good looking to accompany the assistant. The current Doctor Who however places so much emphasis on the Doctor and the assistant is just a boring sidekick. I wanted to make the Doctor and his assistant to be like a proper duo. The kind of team that are never separated and have some weird chemistry. So I set about designing characters faces mainly along side each other hoping something would stick.

The whole time during my designing I kept referring back to Peter De Seve who I aspired to throughout the early phases of the project for stylisation of my characters . I bought his amazing book " The Duchess of Whimsy", which he provided the illustrations for, as he collaborated with his wife who wrote the book. I would have loved to have also got my hands on "sketchbook", or " A Sketchy Past : The Art of Peter De Seve" but for now I'm just gathering some money to get hold of these gems.

Whilst I was designing the Assistant I constantly wanted a tubby little loud mouth, but I stuck for too long with the generically hot female character. However after studying some A list celebs and caricaturing them, I started to find some principles that worked across all, in my eyes, appealing female characters and started to try and put them into a fatter shape. I looked at character designer bloggs to get an idea for varying shapes and sizes and remembered how Curtis Jobbling ( BAF ) had said in his talk how great characters stemmed from the simplest forms and eventually stuck with a heart on top of a triangle for the assistant. The Doctor who I designed first, I was just pushing and pulling parts of his face to get a the rugged look I was going for whilst maintaining his smart and geeky yet somewhat "handsome" face. It was two different approaches but the assistant is by far my favourite. She has energy about her which I think I got across somewhat in the design sheets. Ultimately her inspiration I feel came from Edna from the incredibles, as she is a character both in look and personality that differs from that to the standard female character and this is why she is memorable. So much personality from such a small person!

The bodies of the characters were just clothes thrown around simple shapes (as Derek and Kathy rightly pointed out which I will definitely consider further in future character design) , the assistant sporting a modern designer coat that I found in a fashion magazine and the Doctor also dons a smart and sophisticated look that looks slightly dishevelled to show how he rarely looks after his appearance any more.


My sub characters were literally banged out, partly because I had already been through the process with the other two and also because I was decisive with their look as I had there personality's in mind from the start and didn't look to develop them to much. Shakespeare I thought would be a fun character to work on, all his paintings are so stern and he looks quite prude so I went for a more adventurous Shakespeare. Camp, has let himself go and has a few ghosts in the closet that no one knows about.




The other character I chose was the lute player, even though he had a small part to play I had an eloborate back story to him in my head, I had this fixation of Napoleon dynamite and used this as a base to go about creating a tudor stylized version with my own added features here and there. He needs a lot more work but the base is there. His body is also lacking a lot of structure.

All in all the characters as lines were my favourite part of the pre production , I loved bringing them alive and trying to capture the essence of their personality. My favourite characters were the Assistant and Shakespeare. From creating the characters I learnt how useful having style reference can be and any reference, it gives you a general aim and direction instead of fishing in the dark like you so often do. Having a solid back story and personality for the characters also makes it far easier to caricature them. Below is my final sheet I did for characters, I was trying to get across how the duet acted together. The Assistant is the larger personality, she also assistant gets bored easily, often ignorant to the Doctor.




Tuesday 16 March 2010

Random bits of Pre Pro that didn't go near the bible
















Here are some testers of watercolour and ink. I was trying to get them to be animatable but they would have boiled badly. Hence I took them down a level and applied more block shading for the final images.


Lou Romano - Gouache





Inspiring Images from

Lou Romano and Peter De Seve

Lou Romano is a voice talent and conceptual artist for Pixar. He is generally a little too talented for his own good judging by his work. It was only by accident that I came across him. I find his eye for rich colouring that works so well together amazing.

Peter De Seve has the most amazing line and has been a character designer for Ice Age, Finding Nemo and all that jazz, along the way he has produced some fantastic work for the covers of The New yorker. His work in indian ink and watercolour from the book "Dutchess of Whimsy" was the most inspiring.

Pre Production Project - Hand in stuff
















Wow, when was the last time I blogged. Been one intense term in the last couple of weeks. I ammm burnt out. Once again my time management was questionable. It wasn't that I didn't put the time in , it was the way I used it. My usual indecisiveness was the ruin of me. I really need to get over this whole inability to just stick to something and just go with it. As a result I started trying to push the style in a drawing style but didn't leave enough time to make the colour images up to scratch, ending up doing all the colour work in the space of 48 hours as I had spent to long trying out, watercolours, inks, pencils and photoshop styles. So in the end I have conceptual pieces in a more photoshoped gouache style and a final background in watercolour, worked over with photo shop .

In the end however I have now realised I really want to start pushing my style in the direction of some of the great conceptual designers that I had been looking at such as Lou Romano and the way he uses Gouache. I tried to produce some of my conceptual work in this style however I was doing it in photoshop. I also loved Pete De Seves work and found him extreemly inspiring for my character designs. Unfortunately I couldn't nail watercolours and ink to a standard I was happy with ( De Seve uses this for his characters) that I could get to look good for animation purposes.

If I were to do it again I would have my style finalised in a more gouache look but I think I will save this for a future project I'm thinking 3rd year project and pushing the conceptual side more into the animation as it really kills me how it never fully makes it through. Anyways I'm sure that made no sense but I will throw some images at you from the project hand in and maybe I'll put some development up here at some point.